![]() Instrumental virtuosity was stressed, while tone quality became more restrained, less obviously 'expressive'. The ground beat was moved from the bass drum to the ride cymbal and the string bass, and the rhythmic feel is more flowing and subtle than before. The 'higher intervals' of the chords (9th, 11th and 13th) were emphasized in improv and in piano chord voicings, and alterations were used more freely than before, especially the augmented 11th. Improv was based on chordal harmony rather than the tune. Small groups were favored, and simple standard tunes or just their chord progressions were used as springboards for rapid, many-noted improvisations using long, irregular, syncopated phrasing. Ballad playing is replete with its own idiomatic devices.īebop: the style of jazz developed by young players in the early 40s, particularly Charlie Parker, Dizzy Gillespie, Kenny Clarke, Charlie Christian and Bud Powell. A term more used in rock 'n roll.īallad: a slow tune. Even said of the voice.īack-beat: Beats 2 and 4 in 4/4 time, particularly when they are strongly accented. The name is misleading because it is not the 7th that is augmented. See 'Alteration'.Īugmented 7th: A dominant 7th chord with a raised 5th added. So-called because every possible alteration has been made.Īugmented: Raised by a half-step. Of course, in general music theory, any interval may be augmented or diminished.Īltered scale: The dominant 7th scale with a lowered 9th, raised 9th, raised 11th, no fifth, and lowered 13th, along with the usual root, 3rd and 7th. The expression 'diminished seventh' is used solely as the name of a chord. In jazz usage, the fifth and ninth may be raised ( augmented) or lowered ( diminished) the fourth (or eleventh) may be augmented the thirteenth may be diminished. See Song Form.Īlteration: The raising or lowering of a tone by a half-step, from its diatonic value in a chord. Typical of songs by Gershwin, Cole Porter, Harold Arlen, etc. Ī Section: The first section of a tune, typically 8 bars the main theme.ĪABA: the most common form in pop music. Send us feedback about these examples.Glossary of Jazz Terms The Jazz Piano StudyLetterĪn arbitrary list of common jazz terms from the perspective of the jazz piano student. These examples are programmatically compiled from various online sources to illustrate current usage of the word 'diatonic.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Spencer Kornhaber, The Atlantic, 28 June 2018 There are musical instruments-like Louisiana’s diatonic accordion. 2019 Others had dreamed up the piano, diatonic tonality, and the 12-bar blues riff. 2019 Instead, Gaxiola devotes to the tuba for the bass notes, and in combination with a twelve-fret guitar, a diatonic accordion and drums, the group has become one of the vanguards of the genre. 2020 Elements of atonality and sturdy diatonic harmony and moments of fleeting lyricism and blazing sonorities often merge or clash. Los Angeles Times, 25 June 2021 The musical language is steeped in older modal scales, however crucial passages and final phrases settle into diatonic harmony (major and minor chords), the newer language that was emerging in Schütz’s time. 2022 Today, the two types of marimba used in Guatemala are the single marimba, with one row of diatonic keys like the white keys of the piano, and the double marimba, which adds a row of chromatic keys (the black keys). 2023 Messina is also credited with creating the Interval Study Method, a playing technique using diatonic and chromatic scales. Christian Hertzog, San Diego Union-Tribune, 6 Nov. Recent Examples on the Web The emotional arc of the work is reflected in its diatonic, neoclassical beginning, becoming more chromatic, with the Middle Passage represented by a genuine 12-tone row, giving way to the lilting tonal hymn of the final section.
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